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iMaculate
Conception
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Aqua
Velvet: The conversion of an OS X skeptic and
Wintel heretic
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©6-20-01 Joel Davies
[It started as a column about
the sleek OSX interface, but ended with a Wintel/Mac
OSX showdown that has shaken the author. Badly.]
Gooey GUI
Not too long ago, I posted a column
about how hesitant I was about installing OS X on
my PowerBook. Of course, this little voice in the
back of my head kept extolling the virtues of a fluid,
gorgeous interface and the ability of my PowerBook
to actually sleep and awaken quickly. So, I ended
up installing OSX. Some of my nightmares came true
I hate Classic. Not because it's slow, and
not because of the extra drive space it requires,
but because it's ugly compared to this flawless phenomenon
called Aqua.
Before I start heaping praise on Aqua,
I just want to again say to
all the Developers out there don't take me
to the cleaners when you convert my applications to
Carbon. I'll get really cranky, and if you
haven't seen a 225 pound, bald, late twenty-something
art geek get really cranky, it's both pathetic and
a little scary.
So I went through this fairly fast (considering
what I expected) and painless installation process,
and was quickly into OS X. And I loved it. The interface,
from the point of view of an artist/designer, is perfect.
Flawless. Staggeringly beautiful. After some growing
pains I still can't replace the Hard Drive
icon, no matter how closely I follow the directions
on IconFactory.com
I was customizing settings, folder icons, the
dock and everything else to the geek chic that I prefer.
Amazingly enough, my desktop began to resemble my
OS9.1 look, but man, it moved and swelled and bounced
and went transparency in the coolest of ways.
Unfortunately, in addition to being
an educator, I'm an active artist/designer, and I've
got to keep the workflow going and hit some major
deadlines. I was pleased to see a Location Manager
kind of embedded in the Apple menu, a feature I use
heavily traveling from my home Airported cable modem
to the school's Airported network. But I was able
to crash applications like Photoshop, Flash, Dreamweaver
and Illustrator on a fairly regular basis. I couldn't
even get Director 7 to stay open in Classic, so I
had to rely on OS 9.1 as my startup system, and pop
into OS X to show off for the Wintel shills on campus.
And they are pretty unanimously jealous
of the cool animations, alpha (transparency for you
non-graphics types) effects, slick three window Finder
directory tree and groovy blinky buttons. For the
most par, the new Finder has most impressed the Wintel
and UNIX types that have seen X. I get a lot of smirks
and snide remarks about the "Genie" effect
where minimized applications slide down into the dock.
"Isn't that just like Apple," the good old
boys/girls say, "to put something like that into
an OS." What, put something really cool yet totally
useful into an OS? Yeah, that's just like Apple. Like
building in native .pdf support in the Preview application
real functionality, that's what Apple is gunning
for.
I even downloaded the OSX demo of Bungie's
Oni, and whaled away on the hordes of baddies at a
noticeably higher frame rate than I was accustomed
to in 9.1. Not only was my OS interface sleek, but
there's something magical about delivering a vicious
backbreaking kick to a game both with the grace and
fluidity of a Katerina Witt triple lutz jump. SMACK!
On the down side, I found that if my little Pismo
freezes up playing Oni - I can't get back into X.
Whoops, back to the drawing board, Bungie.
So I fell in love with Aqua, and its
slippery feel gave me goosebumps every time I rolled
over the dock. (That ended up sounding more erotic
than I intended, but you get the point.) The problem
was that OS X seemed a bit slow, and even though I
had been given a copy of the not so official OS X
update, I was a bit apprehensive about installation.
So I decided to wait for the update that Apple was
assuring folks would appear soon. Now knowing that
some fellow geeks are a wee bit superstitious about
major upgrades, I will never understand why Apple
released the 10.0.1 update on Friday the 13th. I'm
superstitious enough to actually believe that you
have to name your computer, or it will become angry.
All of my computers are named after Biblical plagues,
and my PowerBook happens to be named Brimstone. Locust
or Frog just sounded too stupid for my PowerBook,
but not too stupid for my Wintel cow machines. Besides,
Fire accompanies Brimstone, and this is a FireWire
PowerBook. That's the kind of logic I'm talking about
here, folks.
So I used the Software Update panel
to upgrade to 10.0.1 (or X.0.1 if you prefer). And
a strange thing happened: Brimstone's performance
went through the roof. I've heard of this process
called pre-binding, but haven't tried it yet, so I'm
just talking about upgrading the OS. Aqua got REAL
fast and fluid. Immediately. I was thrilled. I changed
my system settings to automatically launch Classic
at startup and rebooted. After a really fast boot,
I fired up Photoshop 6 to get some work done
and the unthinkable happened. It started REALLY FAST
like with one bounce of the icon, and then a quick
"boot screen" launch in Classic. I let out
a Keanu Reevian "Whoa," picked up my jaw,
and got to work.
I needed to resize a rather large Photoshop
graphic. It is an artwork that measures 20x13inches
at 300 dpi. It has about 35 layers and takes up over
250 megabytes of disk space. I had to resize this
monster to use on the web (reduce it to 768 pixels
tall) and did not flatten it first. Now for those
of you who are not Photoshop junkies, this is the
computing equivalent of trying to move a piano by
yourself you can do it, but it's going to take
awhile. I turned to the Gateway on the other desk
to spilt the work between the two machines. I glanced
over at Brimstone, and nothing was happening. I cursed
a moment about Classic, and went to resize it again
when I noticed the operation was complete.
David and Goliath
Needless to say, I'm not used to this
kind of performance out of my PowerBook. I undid the
resize, picked a slightly different size, and tried
it again. Amazingly enough, it ripped through the
resize in about a second. I had been working with
these files since November, and had never seen Photoshop
rip through one that fast. I set up a batch to resize
all the graphics (12 total) and resize them into a
new folder. It took about 25 seconds to open a file,
and a second to resize it. I was used to 25 to 30
seconds to open a file, and say 10 seconds to resize.
Now I should stop and explain that recently,
with the ultra low price of RAM, I had pulled the
192MB from Brimstone and replaced it with a pair of
256MB chips. With half a gigabyte of RAM, Brimstone
was really cruising for the last couple of weeks.
Photoshop is set up to use 450MB of RAM, and I haven't
used it much since the upgrade, so I should expect
some performance gain.
One thing led to another, and I decided
to run Brimstone against my office Cow machine (I'm
not going to mention manufacturers, lest I get in
trouble). "Locust," the office machine,
is running DUAL Xeon processors rated at 550mHz, Windows
2K, 512MB RAM, two 18GB IBM Deskstar Superduper SCSI
10,000 rpm disk drives and a 3D Labs Oxygen VX1 video
card. It cost about the same price as a small Korean
import or a pair of twins on eBay. Brimstone is a
400mHz G3 PowerBook, with an ATI Rage Mobility card,
512 MB RAM, running OSX and Classic, and a creepy
crawling 6GB 5200 rpm IDE disk drive and cost 2400
potatoes plus about 450 bucks for the extra RAM, a
Microsoft Explorer trackball (sue me) and a external
250MB Zip with the Firewire adapter. Over a series
of ten Photoshop "races" with no real scientific
value, the PowerBook won eight times out of ten.
I didn't use a stopwatch, I just started
operations with hands on both mice. If anything, the
Wintel machine had the advantage, being on the right
and having a thumb, rather than pinky hit the button.
Using the exact same file, Brimstone beat the Wintel
box in Photoshop 6 with the same RAM allotment using
Gaussian Blur, various transforms, Eye
Candy 4000 HSB Noise with fractals turned on, Watercolor,
flattening layers and resizing images. I wasn't keeping
time, but most "races" were won by several
seconds, with the transforms being the closest finishes.
What did the Wintel machine win? Opening and saving
massive files likely due to the drastically faster
hard drives. I'll run some more scientific tests next
week, but the Wintel machine is now a paperweight from
my perspective.
Believer
Now why does someone who writes for
Applelust have a Wintel monster machine in his office?
Well, I use of lot of 3D models in my artworks, and
over the last few years, Wintel was more supported
by the software developers that Apple. With Maya jumping
on board for OS X, this will likely even out the platform
support. Okay, now why do I have another Wintel machine
at home? Well, as described above, I like to play
games, and support for the Apple as a gaming platform
has been abysmal. At the very least, I'm a two mouse
button kind of guy, and I really dig the Microsoft
Explorer mouse and trackball. Once again, developers
are moving toward Apple support for gaming.
So I've been in the active planning
stages for a large interactive installation artwork
for a show in Fall of 2002. I will need to create
some 3D models to be both rendered at a high resolution
and animated at a low resolution. I will be using
some heavy Photoshop work for some seriously big images,
three times the final size of the previous work. And
I will want to play some games to keep me sane during
this process. I like to put the artwork back in the
cranial queue for a while and just frag some friends
online now and again. And I
want to trade in my PCs. Permanently. I'm done with
them: If my cute little Pismo can dust a dual Xeon
machine on Friday the 13th with a still under construction
OS, I want no part of that Wintel box. I want,
no need, a big G4 with all the trimmings (see below
for an update!), at a significantly cheaper price,
Sure, I'll keep the cheap PC at home as a glorified
game console, but the thought of ordering a G4 with
a GeForce 3 card is making my vision blur and palms
sweaty. Some other announcements last week, such as
3D file support in Director 8.5 and more Apple supported
3D software have hammered the final nails in my personal
Wintel coffins.
I'm now a total convert. I'm not looking
back. I feel like I had a religious experience, like
I've come down from Mount Sinai with the X Commandments.
My faith in Apple has been restored, and it's stronger
than ever.
Postscript:
Not long after this article was written,
I discovered that my installation of X was badly flawed.
I went through the pre-binding process, and found
that there was NO root user. I was able to pre-bind
using my default user - cleverly named "joel"
- and things did speed up even more. Then I had a
bizarre crash blank screen, no response from
poor Brimstone and had to start over with a
clean install. I still haven't replaced OS X, and
I miss Aqua dearly.
However, I did learn that my primary
3D renderer, which shall remain unnamed at this time
(no official announcement has been made), pulled Windows
support. Apparently, its easier to support only OS
X and Unix so the Wintel beast is history, and a G4
is on the way.
Oh, and that G4 I was talking about? I
got it (the forst of two I will be getting). See this
related
piece. More on that later.
joel@applelust.com