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In the last while, several key Mac web sites have begun to ask for
money in exchange for ad-less content, and in some cases specific
content and features. From Macfixit to MacObserver to MacSurfer, the
trend does seem to be swinging towards more charges and less free
roaming. At the same time, non-Mac specific Google.com made a very
different but bold stand to swear against pop-up ads. What in the
heck does this mean for us as web surfers? Should I just leave my
credit card next to the keyboard?
Doom, Despair, and Pay Sites On Me...
I'm not sure how John Q Public is supposed to feel about any of
this. When one of my favorite sites went pay (Salon.com) it took me
awhile, but I eventually bought in because I read thousands of words
a day from that site, and 30 bucks a year for the combined content of
a hundred magazine issues wasn't bad. I also treated it like a
magazine subscription, which I had an open slot in my budget for
since Imagine Media's NextGen magazine folded (which in itself was a
heads up for the readers of another Imagine Media title: MacAddict
).
But the problem with even smaller market sites than Salon.com
asking for money is that after a certain point, there is no way John
or Jane Q can afford their daily dose of sites if they all cost 30
bucks a year. To add it all up, in order to read MacSurfer,
MacObserver and MacFixIt for a year with the new schemes, it will
cost you $80 a year.
Now, I am certainly aware that you can still access some of these
sites for free, as long as you stomach the blaring ads, but how long
will that last? I can't remember ever hearing anyone complain about
the ads on those sites to begin with. And if they were losing
revenue based on the low attraction of a banner ad that cost nothing
to click, why would potential clickers shell out any money for what
they used to ignore? My guess is most sites will either have to drop
the free content, or drop some features and the pay routine. Time
will tell.
The natural possibility is that sites that do not go pay will
suddenly jump in readership ("Wouldn't that be nice!" Dean says, as
writer and editor in two such sites). But I would bet that change
will be the constant, as some sites halt the pay scheme, others
redefine it, and still others merge sites or content in order to give
the most to subscribers and encourage us to buy. Offering a yearly
subscription now may be premature, since some sites may not even
exist in their current form in a year, much less have the exact same
content or pay scheme.
The Link Sites
One interesting effect will be the way Macsurfer,
MacMinute or MacCentral (and similar sites) report
the news on these pay sites. The fact that the New
York Times requires a free registration even repels
some surfers, so what reaction do you think a "Paid
Registration Required" tag will invoke? (Again, this
is presuming that paid-for content becomes the norm.)
These sites could become the Napster of the news industry;
Creating a hub of content that, while summarized, provides what
readers feel is all they need to hear and saves them the cost of
subscriptions. Or, if the news sites can't do it or are challenged,
you better believe the less-visible e-mail lists could become the
peer-to-peer alternative to paying for exclusive content. For now,
the news sites will have to negotiate the invisible lines drawn in
the Mac web sand.
Macminute, I predict, will be fine. While they must still stay
afloat somehow with ads, they have very straightforward, informative
newsbites that quickly yield to the original content. Plus, they
have a trustworthy air about them and would no doubt deal with the
issue of paid-content thoughtfully.
But what will this mean for MacCentral's "clip-and-report" style?
It seems to preserve it: Why go pay for the content when I can read
the pseudo-reporting on MacCentral for free? But it could have a
backlash with content providers and cause legal issues for the
quote-heavy "reporting" MacCentral tends to provide. Fine for
press-releases, not fine for copywritten, for-purchase content.
Macsurfer is surprisingly the first of these to decide to offer a
pay-for, ad-less version of their daily link site. How they are able
to sustain that, considering the ease people overlook site ads anyway
(thereby choosing not to pay in two ways) will be interesting to
watch. The reaction could turn sour on them: Why should we pay for
the opportunity to see a link page filled with links to other pay
sites?
If We Bill Them, Will They Come?
One expectation I can't imagine pay sites can take seriously, is
how they expect to increase the general readership. Maybe they know
something I don't (which is likely when it comes to business) but I'd
say that raising prices never drove anyone to a product. Especially
when your original price was free. Mac users could be considered
already used to paying for premium by our choice of computer, but I'm
not sure asking them to pay more to read about said computers will
fly.
Let me say this to ensure I'm not misunderstood:
I certainly don't wish any of these sites ill in their
quest to try and stay alive. Their demise would wound
us all, and I respect them for staying in the game,
no matter how they do it. But it is a tricky business
to negotiate when you're trying to solve whether your
site is one for profit, or one solely for purpose.
I wish them all the luck in being both. Obviously
I'm no stranger to the decisions, running SkewedPerspective.com
at a $200 loss, with not only no pay scheme, but no
ads. It is a fine, and sometimes painful line to walk,
and I'm not independently wealthy so it is not a decision
I make lightly. I might be a fool, but I'm a happy
one. But I'm also not dependent on any of the .coms
I work with for income.
Beyond Our Walls
Outside of the Mac community, the practices and reactions to pay sites are
mixed. Once the main operating trick of AOL and porn
sites, in addition to paying your ISP you might be
paying for individual web site content. I don't fully
buy the argument that this is the giant evolution
of the once-free Internet... too much change has taken
place to call any business anomaly a true permanent
step in any direction. Who is to say that in less
than a year paying folks will be barking for some
cash back as their once subscription site reverted
to just a content-trimmed ad site? It puts the burden
of true business savvy on the shoulders of content
providers who must decide not only how much to charge
for content or access, but also decide what it is
that users would even be willing to pay for, if anything.
Soon, popular financial advice site Motley Fool will begin
charging for: (*get this*) JUST the message boards. Now, while I do
believe they have a fascinating and technologically bright community
with the ability to convey and commune in ways that help all who
encounter it... But don't you think these same people are smart
enough to know they could take their chat hundreds if not thousands
of other places that are entirely free?
The Exodus problem may be one that many, even Mac-based sites,
have to face. And if everyone does move and you tank after
alienating your audience, watch as your remains are picked over by
the slightly bulkier corporations you originally formed to spurn, and
your .com is purchased for a song merely due to the glimmer of name
recognition it provides.
Virtually all of these sites are throwing around offers to make
you a "Charter Member" (in a site that's been around for years?) and
nearly every single site is offering services for around $30 a year.
In fact, it's becoming the new $19.95, and all tired marketing
arguments about how much pizza, coffee or soda that works out to per
week are being trumped out. (Hey, didn't Apple use the pizza one for
their loans ten years ago?)
Sometimes, it does make sense. Like I mentioned before, I did buy
in and subscribe to Salon.com. But it's worth noting that I only did
so after writing a stern letter detailing the uncomfortable position
I felt I was in. And guess what? I was written back immediately by
the Editor at Salon. We corresponded for a bit, and once I was
thoroughly convinced that I either A) did rely on the site enough to
treat it properly like a magazine subscription of content I respected
and enjoyed, pages and pages a day read at least 4 days a week; or
B) Salon had improved what was offered behind the
subscription-curtain enough that it was truly worth my while. They
sold me on both counts. "A)" was easy to point out. "B)" was
Salon's way of proving itself in ways that I'm not confident the
current pay-testing Mac sites can. With the subscription I also got
all sorts of exclusive stuff like music and literature MP3's and
more... Things that were never available before, and would literally
be immediate bonuses. So perhaps a deal can be struck with a
shareware or major developer to provide a nice software bonus to
those who subscribe to a particular Mac site? A clear positive we
can sink our teeth into would help us not feel cheapened by the
move.
So, will the grand experiment pass or fail? I'd venture to say it just won't
work in the current form for either the user or the
seller. Things will change or end as everything on
the web continues to morph. But the Mac pay sites
will have more to contend with than simply getting
users to bow to a financial concept; They'll have
to compete with the already finicky, passionate and
clever Mac audience that made them what they were
before the Mac public had to shell out any extra for
anything. And time and our wallets, none too full
in this time of recession, will tell...
Stuffit
7 (10-18-02) Dr. Neale Monks. What purpose does file compression have
in this day of 100 GB hard drives? Is version 7 worthy of the upgrade fees?
Fireworks
MX (10-8-02) Dean Browell. Fireworks is more than just a pretty face;
The last app I needed to convert entirely to OS X delivers in upgrades and
features as well...
Dreamweaver
MX (10-8-02) Joel Davies. Not being satisfied with just carbonizing it's
product, Macromedia made sure that Dreamweaver MX was the killer app for web
design.
SliMP3
(9-6-02) Pat St-Arnaud. The SliMP3 is a small, simple and elegant network
devices that connects to any audio component with RCA inputs and lets you
browse, search and play music directly from your computer's MP3 collection.
Voyager
III v.3 (8-16-02) Dr. Neale Monks. Carina's Voyager is the grandfather
of Mac planetarium programs, but does it still have what it takes to keep
up the current generation?
CodeWarrior
8 (8-16-02) Douglas A. Welton. Doug dives into the latest version of this
robust multi-platform programming tool.
STM
Sports Backpack (8-9-02) Pierre Igot. How will this backpack designed
for the "global digerati" stack up when Pierre puts it to the test
with his mobile digital lifestyle?
Scope
Driver (8-2-02) Dr. Neale Monks. An alternative to the 'point and click'
telescope control paradigm: a powerful list-based utility for Autostar and
LX200 telescopes.
Apple
Final Cut Pro 3.0 (7-19-02) Michael Tate Jones. Tate reviews the video-editing
powerhouse Final Cut Pro 3 and sizes up its competition. Does Final Cut Pro
3 hold its ground?
Strata
DVpro RME (7-16-02) Matt Frederick. Matt Frederick. Matt takes a comprehensive
look at Strata DVpro, Strata's pro-level non-linear editor for digital video.
Stargazer's
Delight (6-28-02) Dr. Neale Monks. Looking for a viable shareware alternative
to the big commercial astronomy software packages? Neale may have found one.
TheSky
(6-21-02) Dr. Neale Monks. Neale takes a look at the easiest to use planetarium
program for the Mac.
NI
FM7 (6-21-02) Matt Frederick. Matt takes this software replica of Yamaha's
DX7 synthesizer for a test drive.
The
Digital Universe (6-14-02) Neale Monks. Planetarium program, astronomy
encyclopaedia and space flight simulator all rolled into one - could The Digital
Universe be the ClarisWorks of astronomy software? Neale Monks takes a look.
After
Effects 5.5 (5-31-02) Michael Tate Jones. Tate reviews the OS X native
version of After Effects and likes what he sees.
InDesign
2.0 for Non-Professional Designers (5-24-02) Pierre Igot. In the second
part of our review of Adobe InDesign 2.0 for Mac OS X, Pierre Igot looks at
InDesign from the point-of-view of the non-professional designer - and finds
plenty to like.
Corel
Graphics Suite, Part 2 (5-24-02) Dean Browell. CorelDraw returns in full
force and Corel R.A.V.E makes its debut.
Corel
Graphics Suite, Part 1 (5-17-02) Dean Browell. CorelDraw is back, and
it's brought some powerful friends that makes this Suite worth the look...
OmniGraffle
2.0 (5-10-02) András Puiz. Analog napkins are so 20th century --
this gem from OmniGroup knows (almost) all about diagramming. András
Puiz wishes all Mac developers developed a similar understanding of Aqua,
and of Mac OS X in general.
Watson
(5-03-02) Michael Tate Jones. Tate discovers a 'Swiss Army Knife' for OS X...
it's called Watson.